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Herman Beeftink, Marcel Boelaars, Mart Heijmans, Annette Kruisbrink, Jan van den Langenberg, Mark de Gooijer, Hans de Heer.See their stories below : Herman BeeftinkAward Winning Composer of Music Education books Some of his workTHEATRICAL FILMS:
MADE FOR TV FILMS:
TV DOCUMENTARIES:
TELEVISION SERIES:
SOLO ALBUMS:
Marcel Boelaars Marcel started playing guitar when he was 12 years old, he played in different Pop-bands and when he was 23 years old he decided to attend the ‘Twents’ Conservatory to become a classical guitarist. He studied with Rob Koenders and Louis Ignatius Gall. Mart HeijmansMart Heijmans is a fine klezmer musician within the Dutch Klezmergroup Kalarash. In 1985 he first heard klezmer music on Dutch radio and since then he has collected everything (LP’s, Tapes, notes,writing) in this field. He was also involved in popularising klezmer music in Holland. Since 1990 he has held numerous klezmerworkshops and performances and has organised several klezmer-meetings in Nijmegen since 1993.
Annette Kruisbrink Annette studied the guitar with Pieter van der Staak, attented many masterclasses with famous guitarists, such as Leo Brouwer, John Mills and Toyohiko Satoh. She also took part in composition-classes with Alex Manassen and Composition courses with Nigel Osborne, Claudio Prieto and others.
Jan van den LangenbergBorn in the city of Eindhoven, the Netherlands in 1954. He studied at the Brabants Conservatory, Tilburg, with Baltazar Benítez (guitar) and Jan van Dijk (composition). He finished his studies in 1981 by performing his own guitar concerto rewarded with the "prix d’exellence". Since that time Jan van den Langenberg did various things in music ranging from giving concerts, to leading a musical group with his wife Myrna, also a musician. Today he is teaching music at the same conservatory, now being a part of the Art devision of Fontys Hogescholen and teaching guitar at the Music & Dance Insitute at his domicile ‘Best’. His compositions include: Mark de GooijerMy name is Mark de Gooijer. I was born in 1957 in the Dutch town of Hilversum. When I was quite young my parents and I moved to the west of the country, so that my father could be closer to his work. I graduated at the Grammar School of the Sweelinck Comprehensive School in Amsterdam. I continued with my higher education in Electronics in Enschede in the east of the country. I now live in Hengelo and make a living at my job as technical author. I met my wife Erna in Twente, a picturesque area in the east of Holland. We have two children. I started playing the guitar at the age of seventeen. At school, the guitar was one of the most popular instruments and I really wanted to learn to play. My first guitar was a very old Spanish guitar, a cast off from my sisters (ex) boyfriend. He charged me ten guilders for it, a considerable amount of money for a guy with very little pocket money and a small newspaper round. I almost rebuilt it, new strings, new tuning pegs, new frets and a lot of paint and glue to keep things together. The first three years I learned to play with the help of chord books without any further professional instruction. After that I decided to take guitar lessons, to get more out of my instrument. I attended the Musical School in Enschede and studied under Thea van der Meer. She taught me the first principles of playing classical guitar and above all of musicianship. After a number of years, I changed teachers and via Rob Wagenvoort and Guitar School La Guitarra I ended up with Ed Westerik, my present teacher. The lessons with Rob Wagenvoort consisted mainly of playing duet. He really did like that, much better than teaching Solo Guitar, so I joined in the fun and got interested in playing with other musicians. After a while I started to play with a flautist on a more or less regular basis and we did quite well. Unfortunately much of the (classical) repertoire for guitar and flute turned out to be too difficult, given the time available for study. It just took too long to complete a piece that was up to smooth performance level. That was the reason I started to arrange material for the duo myself, pieces that were playable in a reasonable short time but still sounded good. Another reason for doing the arranging myself was that the flautist liked solo guitar music very much and that was a perfect motivation to write down some notes. In the beginning it was quite difficult writing the scores. The Dutch proverb "Paper is Patient" was at the time very apt. It became a custom to use these hand-written scores as a birthday present for the flautist. The computer entered my life in 1990. I started with a Commodore Amiga with the famous score program DeluxeMusic. It was now possible to edit the arrangements without erasing and to play back for checks. The matrix printer print outs were poor, but still much better than the ordinary hand writing. This was when I wrote the arrangements of the English folk songs from "Down by the Sally Gardens" (published by Van Teeseling under number VT-347), part of them were dedicated to a Scottish girl I got along quite well with. Technology developed and the Amiga became obsolete. I replaced it with a PC with a Soundblaster , a MIDI keyboard and the Musicator for Windows software for the arrangements. Back then I more or less fell in love with the beautiful tunes of the Brazilian/Portuguese Modinha. This music had a sound that was quite new to the flautist and I.The arrangements I wrote are included in "Conselhos" (published by Van Teeseling under number VT-348). Modinhas are mostly love songs, joyous, tender or deeply sad. The experiences with the 'Latin material' were quite positive, the audiences we played for really did like the tunes. So I started to make a new set of folk songs from the south. I became attracted to the Catalan folk songs that were arranged by Miguel Llobet at the beginning of the century. I felt that the songs told a story of Love and Death, both facts of life. These songs are included in "El Amor y La Muerte" (published by Van Teeseling under number VT-379). Hans de HeerHans de Heer (1927) combined a career in science (as a mathematician) with composing music. In 1953 he got acquainted with the then well-known classical guitarist Koos Tigges, who inspired him to write many works for guitar, both solo and in combination with other instruments. The next year Telefunken recorded three PRELUDES. These preludes were also published by Metro Music. Several other pieces for solo guitar came into existence, among which a sonatine called SONATINE 1954. At the time the quitar became accepted as a worthwhile instrument and Koos Tigges became a full-fledged conservatory teacher. So it seemed a good idea to make special exercises: 'guitar-etudes' suitable for musical recitals. Ten 'guitar-etudes', each concentrated on a separate technical difficulty were produced. They are still used at conservatories. In 1967 a Sonatine for flute and guitar won the international 'Jeunesses Musicales' prize. It is available on a CD by Julian Coco (guitar) and Magdalena Kuhn (flute) together with other pieces for flute and guitar from mainly Dutch composers. In 1972 a performance of the Concerto for Guitar and String Orchestra by German guitarist Mischa Koch (guitar) and the Dutch Radio Chambre Orchestra has been broadcasted and registered on tape recorder (AVRO). The concerto has been performed by others and the tape registration has been broadcasted several times later on. The score of the concerto has once been shown to Andres Segovia during an international guitar course and it is understood that he was very enthusiastic about it. After the guitar concerto many works for guitar with other instruments came into being, among which two additional sonatines for flute and guitar, a duo for cello and guitar. A trio for flute, alt violin and guitar has been performed at Carnegie Hall in New York. Recently a transcription of the duo for cello and guitar into a duo for two guitars dedicated to the Groninger Guitar Duo got its first performance at the Rotterdam Conservatory. A composition called 'Introduction Air en Fuga' for three guitars is so far the last work with guitar composed by Hans de Heer. All these composition are published. Most of them by Van Teeseling, some by DONEMUS (3 sonatinas for flute and guitar) and a few elsewhere. |